If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. I would have called it a Custom 22S or something. I like the blade so much more than the rotary. A few clear coat indents or scratches but nothing through to the wood. It plays easily with low action and with the Fralin pickup it has a sweeter selection of single coil tones.
Ampeg Bass Amplifiers
Online bidding during the Live Auction is a fast process, and therefore there is no confirmation given – bids will be taken immediately and are irrevocable. The highest bidder shall be the purchaser upon the completion of bid verification. Bid verification will commence upon the conclusion of a live auction. All winning bidders shall be notified by email within the 24 hour bid verification period.
Each amp offers legacy Ampeg preamps and tone stack circuits for an extensive choice of classic Ampeg tone. BA series amps feature perfectly matched Ampeg Custom speakers, designed specifically to get the most out of your BA combo/5(78).
Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff. It sounds great with either bass and guitar, providing a clean and loud tone.
Works great in large club settings. Front panel has two input jacks, controls for treble boost, volume, treble expander, treble, bass expander, bass, presence, and bass boost. There is also a standby switch and corresponding green and red pilot lights. There are no effects in this head, but stomp boxes work just fine. The front of the amp is wrapped in a Fender-style silver-face cloth [
Had new power cable and new handle installed, faulty tube replaced and broken tremolo brought back to life. This amp sounds beautiful and is surprisingly light for its size. Vintage item in excellent shape. Local pickup only unless you are willing to pay to have it professionally packed and shipped from UPS store Cts pots date and This is a mid gen circuit with greenie cap.
Hi, I have an Ampeg SVT head, and I noticed that it squeals every now and then. Duberney, there’s just no way of telling anything regarding a unit’s condition without examining the unit, however, what you’re describing sounds like something in the chassis (around the power sec) is loose.
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.
The latest and greatest reissue of the original early 50s black guard Tele, replacing the American Vintage ‘ This one has all the black guard era vibe with period correct hardware and pickups, but adds modern features such as pickup switching and the modern 9. It features a solid ash body with gloss nitrocellulose finish, 21 tall vintage fret neck that’s also nitro-finished, chunky ’52 U-shaped maple neck with 9.
The Tele has always been the workhorse guitar in the Fender stable and none more than the butterscotch black guard Strat. It has all the twang you know and love in a Tele and this 9.
Ampeg Serial Number Date Code
A Fender Vibralux twin, and a Ross 40w, both with 12″ loudspeakers As said, guitar amplifiers are manufactured in two main forms. The “combination” or “combo” amplifier contains the amplifier head and guitar speakers in a single unit which is typically housed in a rectangular wooden box. The amplifier head or “amp head” contains the electronic circuitry constituting the preamp, built-in effects processing, and the power amplifier.
Other jacks may also be provided, such as an additional input jack, “send” and “return” jacks to create an effects loop for connecting electronic effects such as compression, reverb, etc. Kustom bass amp – amp head and speakers, watts RMS, two channels, two 15″ speakers, Some amplifiers have a line out jack for connecting the amplifier’s signal to a PA system or recording console or to connect the amplifier to another guitar amp.
The Ampeg SVT head is a stalwart. Paired with an SVT 8×10 cabinet, it occupies a singular space in the bass-rig hierarchy. Players who crave massive volume and projection into a room with unparalleled punchiness and tube-y texture know that the SVT is the automatic go-to—just look at the average pro-level backline: SVTs are everywhere.
In trying to determine the approximate dates of manufacture I’ve come across a number of interesting details. First, it seems when anyone asks for information on dates for Marshall cabinets, they are directed to the date codes on the speakers. This works until we find a cabinet that does not have original or any speakers. Then, it seems all bets are off.
Having bought, collected, repaired, restored, played, and sold many 60’s and 70’s Fender Amps over the years, I’ve found that there are lots and lots of well documented aesthetic and construction variations that can identify the year of manufacture and sometimes even the month. Things like logo style, grill cloth type and color, tolex type and color, hardware, trim, etc. Clearly, with amplifiers, there are many other things that can be used such as transformer date codes, pot date codes, capacitor date codes, etc.
Plus, the serial s vs production dates have been pretty much quantified for most Fender production amps through the 80’s.
AMPEG CLASSIC SVT8910E 800 WATT BASS CABINET, MADE IN USA, SERIAL NUMBER: BQWDN50105
I couldn’t find much info on it after doing some quick searching It was made by SLM, so that puts in right into the mid 80’s as far as dating it goes. The SVT was another story. It was nice, but certainly not for the price they’re trying to get. It sounded pretty good, but I wasn’t able to really crank it up in the store.
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The book contains, in addition to an in-depth history of the Ampeg company, more useful technical information on the variations in Ampeg amplifiers, including color depictions of the various cabinet coverings and grill cloths. Click here for information on ordering this book directly from the authors. Dating Ampeg Amplifiers Ampegs can be divided into six distinct groups for dating purposes: Each group uses a unique serialization scheme that can be used to assist in dating the amps, but in many cases, it is the features and characteristics of the amps that determine the year of manufacture.
Electronic Industries Association EIA codes can also be very useful for giving clues as to an amp’s age. These codes can be found on speakers, transformers, pots, capacitors, and multi-section electrolytic “can” caps. Of course, these codes are only applicable to original components, not replacement parts. Ampeg amplifiers, especially the high-powered amps such as the SVT and V-series, contain lethal voltages even when unplugged and turned off.
Therefore, do not poke around in your old Ampeg if you are unfamiliar with amplifier electronics or their operation. A brief summary of the EIA system follows. Shortly after World War II, American electronic component manufacturers began to stamp a semi-standardized code into the parts they produced. The code contained information regarding the manufacture and date of production. These codes have been used on components including potentiometers pots , transformers, capacitors, tubes, and speakers.
The code usually consists of 6 or 7 digits such as where the first two or three digits is the EIA code for the manufacturer denotes CTS , the fourth digit and sometimes fifth digit denotes the year in this case it could be , 66, or 76 , and the last two digits denote the week of the year.
Vintage guitars for sale: ampeg
This com- pact yet dynamically powerful bass amplifier delivers a sear- ing watts of unsurpassed quality, offering the classic vibrance of tubes as well as contemporary features. We rec- ommend that you go over them before you use the amplifier. Below are some of the outstanding fea- tures of your new amplifier – features which set it apart from the competition!
Details of the various Traynor amp models, and opinions about them.
Tuesday – Saturday 10am – 6pm Sunday – Closed Online 8 days a week! If you have any questions regarding payment please ask. The shipping price you are charged covers transit, insurance, proper packing, and tracking. If you prefer another shipping method please let us know so we can accommodate your needs. In the event of damage in transit we will help facilitate a claim with the shipping company to ensure full refund.
Returns We offer a 72 hour approval period on all guitars, amplifiers, and pedals from the date of purchase for in store transactions or date of delivery for internet orders. In the event of a return the buyer pays all shipping and insurance costs and any other fees associated with the transaction. All returns must be approved by phone or email and must be returned in the exact condition they left our store.
For logistical reasons we are unable to extend our 72 hour return policy on any transaction involving a trade, both in store and online. Unauthorized returns will be refused and returned at customer’s expense.